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	<title>Annabella Musical Instruments Reviews &#187; Effects</title>
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		<title>MXR 6 BAND GRAPHIC EQ PEDAL</title>
		<link>http://annabellatheband.com/2011/mxr-6-band-graphic-eq-pedal/</link>
		<comments>http://annabellatheband.com/2011/mxr-6-band-graphic-eq-pedal/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 05:27:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Effects]]></category>
		<category><![CDATA[Band]]></category>
		<category><![CDATA[Graphic]]></category>
		<category><![CDATA[Pedal]]></category>

		<guid isPermaLink="false">http://annabellatheband.com/2011/mxr-6-band-graphic-eq-pedal/</guid>
		<description><![CDATA[Fully reshape your sound or enhance a wicked alternate lead tone that will jump out of the mix at will. Turn a problem signal into one thing that completely glows and assists you discover your own signature sound. Dimensions: 4-one/four&#8221; x two-one/4&#8243; x 1-1/four&#8221; Excess weight: .9 lbs Colour: Blue Equalizes complete response variety from]]></description>
			<content:encoded><![CDATA[<p><a target="blank" href="http://annabellatheband.com/go/link/2774/1" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://annabellatheband.com/wp-content/uploads/2011/10/cb967__518nt4uDNEL._SL160_.jpg" alt="MXR 6 Band Graphic"/></a><br />
Fully reshape your sound or enhance a wicked alternate lead tone that will jump out of the mix at will. Turn a problem signal into one thing that completely glows and assists you discover your own signature sound.<br />
</p>
<ul>
<li>Dimensions: 4-one/four&#8221; x two-one/4&#8243; x 1-1/four&#8221;</li>
<li>Excess weight: .9 lbs</li>
<li>Colour: Blue</li>
<li>Equalizes complete response variety from electrical guitar to bass &#8211; 100Hz to three.2kHz</li>
</ul>
<p>
<strong>Rating:</strong> <img src="http://annabellatheband.com/wp-content/plugins/apost/images/0-5.png" />
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<p></p>
<p>
<strong>SALE Price: $  69.00</strong>
</p>
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<b>USERS REVIEWS:</b></p>
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<i>
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<p>Excellent deal. As a alternative of buying a new amp with far more massive finish, I purchased this  pedal as a substitute. It has granted me to use ALL my guitars rather of just those that give me a higher end. You can sculpt your sound radically, or really subtly. I Put the EQ following my other pedals &#038;amp before the amp. The pedal is a lot more responsive that way. you can also use it as a increase (eq ranges above zero). I notched up the higher finish so when I hit the button I get a wonderful sparkle for solos. My clean channel on my amp did not have enough treble. It is a excellent amp with this one particular deficiency. That difficulty has been solved with this pedal. It is not glamorous, but it really is the ideal pedal investment I have ever made. The pedal is modest, rugged, &#038;amp the lighted faders are cool. Cheers!</p>
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<p>J. Payne &#8220;Bisonator&#8221;
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<p>This little box will give it to you. I personally play bass and I have a factor for extended effect chains. I count in my little arsenal with fuzz, distorions, car wah, a compressor, octaver, bass booster and a wonderful DI Box. The MXR EQ aids me a fantastic deal to &#8220;recuperate&#8221; definition and clarity following this extended effect chains that I adore. A excellent small box.&#13<br/><br/>So if you are hunting for clarity, definition and even a small added punch for your sound the MXR EQ will do the trick.&#13<br/><br/>Cheers!!!</p>
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<p>Julio Caicedo &#8220;Julio&#8221;
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<p>This is a single of the ideal EQs I have ever utilised. It is spectrum is excellent and it is quite versatile. Each my ENGL Powerball 2 and my Orange Rockerverb sound wonderful with no EQ, but once you use it, it will lift your sound up a single far more step. Also a wonderful boost for your epic guitar solo. A great obtain.</p>
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		<title>JIM DUNLOP M288 BASS OCTAVE PEDAL DLX REVIEWS</title>
		<link>http://annabellatheband.com/2011/jim-dunlop-m288-bass-octave-pedal-dlx-reviews/</link>
		<comments>http://annabellatheband.com/2011/jim-dunlop-m288-bass-octave-pedal-dlx-reviews/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 23:26:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Effects]]></category>
		<category><![CDATA[Bass]]></category>
		<category><![CDATA[Dunlop]]></category>
		<category><![CDATA[M288]]></category>
		<category><![CDATA[Octave]]></category>
		<category><![CDATA[Pedal]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://annabellatheband.com/2011/jim-dunlop-m288-bass-octave-pedal-dlx-reviews/</guid>
		<description><![CDATA[MXR M288 Bass Octave Deluxe The M288 Bass Octave Deluxe is a dual-voice octave pedal from MXR Bass Innovations that gives natural analog tone, accurate bypass, and a wide range of tone-shaping possibilities. Powered by a single 9-volt battery, MXR&#8217;s 18-volt Consistent Headroom TechnologyTM (CHT) supplies studio-performance headroom and superior tracking. Use the Dry knob]]></description>
			<content:encoded><![CDATA[<p><a target="blank" href="http://annabellatheband.com/go/link/2746/1" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://annabellatheband.com/wp-content/uploads/2011/10/baa67__51RWu3t8RvL._SL160_.jpg" alt="Jim Dunlop M288 Bass"/></a><br />
MXR M288 Bass Octave Deluxe The M288 Bass Octave Deluxe is a dual-voice octave pedal from MXR Bass Innovations that gives natural analog tone, accurate bypass, and a wide range of tone-shaping possibilities. Powered by a single 9-volt battery, MXR&#8217;s 18-volt Consistent Headroom TechnologyTM (CHT) supplies studio-performance headroom and superior tracking. Use the Dry knob to mix your direct bass signal with the octave effect, or hit the Mid+ switch to add up to +14dB of internally adjustable low-mid punch (400Hz) or midrange pop (850Hz). Bass players will really like the two separately processed and individually voiced octave controls-Growl (for throaty, midrange octave-below tone) and Girth (for deep and smooth octave under). The Bass Octave Deluxe comes i<br />
</p>
<ul>
<li>Consistent Headroom Technology (CHT) for exceptional headroom and tracking.</li>
<li>Correct Bypass. Organic Analog Tone. Two independent octave voices.</li>
<li>Mid+ Switch adds a midrange increase at user selected frequency.</li>
<li>Lightweight and durable aluminum housing.</li>
<li>Compact size that fits any pedal board.</li>
</ul>
<p>
<strong>Rating:</strong> <img src="http://annabellatheband.com/wp-content/plugins/apost/images/0-5.png" />
</p>
<p></p>
<p>
<strong>SALE Price: $  254.61</strong>
</p>
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<b>USERS REVIEWS:</b></p>
<p>
<i>
<div style="margin-left:0.5em">
<p>This is a genuinely cool octave pedal. It is quite adjustable for the quantity of octave effect you want, with the girth &#038;amp growl knobs plus a dry knob to let you retain some dry signal going to your amp if you run it at the instrument level. I favor operating by way of the effects loop of one particular amplifier, even though leaving a absolutely dry signal going to a 2nd amplifier. If you have 2 amps with at least one particular possessing an effects loop and a stereo chorus pedal, try out this: plug your bass into the chorus pedal and then output to the two amps. Plug this octave pedal into the effects loop of one particular amp, and set the effects level all around 30-40%. You will be running a absolutely dry sound thru 1 amp, with the effect coming thru the other, with nevertheless some dry sound coming by way of that a single as nicely. It really is amazing, significantly greater than running via 1 amp. Even though I really should point out it&#8217;s also quite excellent with 1 amp. But the two amp deal is thoughts boggling. To quote a poet, it &#8220;will swiftly shake your windows and rattle your walls.&#8221; Oh, and the adjustable assortment mid+ button is a cool function as nicely&#8230;</p>
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<p>John Mesa &#8220;Boogie Man&#8221;
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<p>This stomp box it is the envy of my guitar player&#8230;he tought for a long time that the only mean and fearing sounds could come from a distorted guitar&#8230;.think twice&#8230;.the very first time a hit this box everyone turned their heads, the song (we play kind of a Black Sabbathish rock) turned into 1 menacing monster, the MXR Octave Pedal has allowed a new level of heaviness to our band in approaches we by no means expected. &#13<br/><br/>I do not overdo&#8230;otherwise the magic is gone&#8230;.but when a very good riff comes along&#8230;a small taste of the M288 will crunch some skulls (ok not that a lot..perhaps a little headache).&#13<br/><br/>Cheers!!!</p>
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<p>Julio Caicedo &#8220;Julio&#8221;
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<p>In my opinion, it is not a undesirable impact if you are a guitar player who&#8217;s obsessed with the MXR brand. Not a great bass impact general, but can add a little range to a solo here and there. I&#8217;d go yet another direction. I like it when a bass sounds like a bass. It comes close, but there is only 1 setting that I like, and the mid enhance function ought to have just been wired into the pedal. The tracking is not fairly as good as other people advocate either&#8230;there is far superior ones out there. Also costly too,particularly since there are greater sounding units out there for the exact same price tag. On paper, even so, it seems ideal. At reduced settings and in recording scenarios it also sounds decent (tracking troubles even though.) Via P.A.&#8217;s it begins to mess up your tone&#8230;which is the deal killer for me.</p>
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		<title>ZOOM G3 GUITAR MULTI EFFECTS PEDAL AND USB INTERFACE</title>
		<link>http://annabellatheband.com/2011/zoom-g3-guitar-multi-effects-pedal-and-usb-interface/</link>
		<comments>http://annabellatheband.com/2011/zoom-g3-guitar-multi-effects-pedal-and-usb-interface/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 17:26:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Effects]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Interface]]></category>
		<category><![CDATA[Multi]]></category>
		<category><![CDATA[Pedal]]></category>
		<category><![CDATA[Zoom]]></category>

		<guid isPermaLink="false">http://annabellatheband.com/2011/zoom-g3-guitar-multi-effects-pedal-and-usb-interface/</guid>
		<description><![CDATA[The Zoom G3 Guitar Multi Effects Pedal and USB Interface unites the ease of a stompbox pedalboard with the power of a multi effects pedal plus a USB audio interface. The G3 gives complete manage more than individual effects and amp modeling for modifying your tones on the fly even though carrying out. An onboard]]></description>
			<content:encoded><![CDATA[<p><a target="blank" href="http://annabellatheband.com/go/link/2716/1" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://annabellatheband.com/wp-content/uploads/2011/10/c6ec8__511e4-geu2BL._SL160_.jpg" alt="Zoom G3 Guitar Multi"/></a><br />
The Zoom G3 Guitar Multi Effects Pedal and USB Interface unites the ease of a stompbox pedalboard with the power of a multi effects pedal plus a USB audio interface. The G3 gives complete manage more than individual effects and amp modeling for modifying your tones on the fly even though carrying out. An onboard drum machine and looper make the G3 an astonishing option for guitarists of each single level. Most of the G3&#8242;s thorough attributes stem from its three huge LCD displays and corresponding footswitches. With each other they kind a graphical interface that makes it possible for you to make use of and manipulate up to three amp or stomp box effects in any combination at any time. Or use the G3&#8242;s super-genuine amplifier modeling and over 100 built-in DSP effects to craft your ow<br />
</p>
<ul>
<li>Three significant LCD displays and footswitches</li>
<li>Amp or stomp box effects can be used in any combination</li>
<li>Authentic amp modeling simulates amps, cabinets and mics separately</li>
<li>Over 100 built-in DSP effects</li>
<li>Generate and shop up to 100 authentic tones</li>
</ul>
<p>
<strong>Rating:</strong> <img src="http://annabellatheband.com/wp-content/plugins/apost/images/0-5.png" />
</p>
<p></p>
<p>
<strong>SALE Price: $  199.00</strong>
</p>
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<b>USERS REVIEWS:</b></p>
<p>
<i>
<div style="margin-left:0.5em">
<p>The Zoom G3 is equivalent in sound and quality to the Line6 M9, it emulates three separate stomp-boxes with the additional bonus of amp simulation, which is not achievable on the M9 contrary to some web evaluations you can truly mix 3 effects of the exact same sort, lets state you want 3 Tube screamers, two as boosters and 1 as an OD, you can, and the sound is extraordinary, the only thing I do not like is that the AC adapter connector seems a small bit fragile, it can be a excellent concept to leave it permanently linked to the pedal board. Another excellent function: it is compatible with the 1 Spot adapter and can even run on batteries. This pedal has the ideal DS1 emulation I ever heard, however the Metal Zone emulation is not precise. All in all it is a very good investment, if you can have it go for it, you are not gonna regret it!</p>
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<p>SoundSteeler
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<p>I have no clue why folks like Line six so a lot. i have tried a couple of of their items and I cant stand them. They sound so fake, like im triggering a sample not playing a guitar. I purchased the ZOOM G2 a year or so ago and I use it like crazy til this day. It gives you a good clean and heavy sound. For metal gamers and has each thing in amongst. great clean sounds and tons of effects, Lots of crazy effects and awesome Distortion pedals or Cab Simulations. Its simple to use and wont break. These points are sound metal.&#13<br/><br/>Immediate in for practice and recording on your laptop or personal or right out your amp. believe me the amp simulation going by means of your amp sounds excellent! I mostly just run it into the effects loop to avoid the amps EQ settings all together.&#13<br/>When I jam with my close friends they come in displaying off their Line 6 amps ( 500.00 and up ) and they sound horrible compared to my ZOOM pedal going thru my dinky 160 dollar amp.&#13<br/><br/>But the awesome thing for this pedal is that you can use it as a stand alone effects pedal, make that 3 pedals. with more than 100 diverse Pedals to select from its an astonishing deal.Or you can set up your complete rig nearly in this issue and just use the amp as a PA program. Or connect it immediately into your personal to record.</p>
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<p>SourMath
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<p>I lately got the G3 with some worries going into it simply because I found it quite challenging to come across that several very good demos and testimonials of it outdoors of amazon. The device arrived and when I got it all going and took a self guided tour, I have been be concerned completely free and very joyful with it.<br/><br/>I was drawn to the G3 because it functions as 3 separate effects pedals and my previous multi effects pedal was just preset patches that I could scroll through but had a horrible time editing (RP-90). <br/><br/>The G3 functions like this: You have 100 patch slots, each single patch can hold 3 effects. The effects can be turned on and off and adjusted with person foot switches and knobs. If you make an adjustment to the effect, the patch is automatically updated to the way you left it, even if you adjust the effect altogether. You can then procede to cycle through your patchs and allow/disable the person triad of effects. <br/><br/>When the G3 arrives, the factory presets are quite diverse and randomly organized. Scrolling through you hit rock, to clean, to hellraiser harsh, to bombs, to crazy effects. I liked a lot of them but will not use half of them. I set up the software package proper away (proposed) and dragged all the factory default preset patchs to the laptop or computer. I then wiped my G3 so I had 100 empty patches. I then dragged only the preset patches that I liked from the pc back to the G3 in the order I wanted. This is when the G3 and me started out seeing eye to eye. I enjoy how effortless it is to orgainize your patches. The software program tends to make this incredible. It is interesting to note that when you have the G3 hooked up to your amp, guitar, and pc, as you do items on your laptop or computer, they go reside on your G3 instantaneously. So you can drag and drop the presets on your laptop or personal even though demoing them with your guitar and amp. I found this extremely favorable.<br/><br/>A main promoting feature for the G3 was my interest in purchasing a lot of effects pedals but not spending a lot of funds. The built in stomp box effects if purchased as separate pedals would cost imensely a lot more than the G3. I could rationalize purchasing a compressor or nose gate, or phasor knowing that I might possibly not use it all the time, or even like it the moment I extra it to my set up. The G3 lets you attempt out these effects without you having to commit to acquiring the pricy pedal.<br/><br/>Troubles I have had:&#13<br/>It tends to make things loud. I have it set up as described in the manual, but there are presets that even when my amp is at two, are insanely loud. I end up lowering a lot of gains and ranges in the presets. I am hoping that I discover a way to use the international settings to repair this, but it does not seem to be achievable. Some effects are not familiar to me either, so I cannot tell if they are pegging my system or meant to sound that way (this kind of as slicer or broken). &#13<br/>I have also not been extremely great at utilizing the looper. I can not get a seemless loop. I was hoping to use the looper to repeat a chord progression so that I could play lead on prime of it, but I basically can not get it to be seemless (my fault I am certain). I believed probably it would blend the edges of the loop with each other to make it a lot more seemless, but it does not.<br/><br/>General, the effects sound really solid with warm tone (these that I lean towards). I am extremely keen to construct a lot more presets and browse the on the web communities for other peoples creations.<br/><br/>I would advocate this pedal to anyone that is taking into consideration buying individual stomp boxes, is uncertain what effects they will use or like, doesn&#8217;t like how multieffect pedals are tough to tweek on the fly, enjoys the notion of making use of their personal to edit effects, and wants to do personal recordings. <br/><br/>
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<p>Farquar</i></p>
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		<title>DUNLOP M148 MXR MICRO CHORUS REVIEWS</title>
		<link>http://annabellatheband.com/2011/dunlop-m148-mxr-micro-chorus-reviews/</link>
		<comments>http://annabellatheband.com/2011/dunlop-m148-mxr-micro-chorus-reviews/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 13:09:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Effects]]></category>
		<category><![CDATA[Chorus]]></category>
		<category><![CDATA[Dunlop]]></category>
		<category><![CDATA[M148]]></category>
		<category><![CDATA[Micro]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://annabellatheband.com/2011/dunlop-m148-mxr-micro-chorus-reviews/</guid>
		<description><![CDATA[With its basic operation and stellar analog tone &#8211; the MXR Micro Chorus joins the ranks of MXR Classics this kind of as the Phase 90, Dyna Comp and Micro Amp. This 80&#8242;s reissue delivers a stunning assortment of rich chorus textures, from sparkly watery shimmers to intense rotating speaker simulation with a twist of]]></description>
			<content:encoded><![CDATA[<p><a target="blank" href="http://annabellatheband.com/go/link/2697/1" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://annabellatheband.com/wp-content/uploads/2011/10/356df__41ll5bGMf2BL._SL160_.jpg" alt="Dunlop M148 MXR"/></a><br />
With its basic operation and stellar analog tone &#8211; the MXR Micro Chorus joins the ranks of MXR Classics this kind of as the Phase 90, Dyna Comp and Micro Amp. This 80&#8242;s reissue delivers a stunning assortment of rich chorus textures, from sparkly watery shimmers to intense rotating speaker simulation with a twist of the Rate manage. The Micro Chorus is developed with old-school bucket brigade technology for warm analog tone and functions true bypass for pure guitar tone when the pedal is off. Its road-worthy hardware and components are housed in a area saving Phase 90 sized box.<br />
</p>
<ul>
<li>Accurate bypass with LED. Analog circuitry.</li>
<li>Bucket brigade technologies.</li>
<li>Warm tones. Rich chorus textures.</li>
<li>Sparkly watery shimmers.</li>
<li>Intense rotating speaker simulation.</li>
</ul>
<p>
<strong>Rating:</strong> <img src="http://annabellatheband.com/wp-content/plugins/apost/images/0-5.png" />
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<p></p>
<p>
<strong>SALE Price: $  139.98</strong>
</p>
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<b>USERS REVIEWS:</b></p>
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<i>
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<p>Well worth the [...] bucks i paid. Analog with correct bypass. Straightforward to use with one particular knob. And has good higher top quality chorus effect. MXR built like a tank. Operates with my Boss DS1 AC adapter too.</p>
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<p>Karl Brody &#8220;Me&#8221;
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<p>These days on my pedal board I have many MXR Micro pedals&#8230;&#13<br/>They have slowly earned their way on the board and sooner or later pushed some pricey boutique pedals into early retirement&#13<br/>The MXR Mirco Chorus is a excellent &#8220;1 Trick Pony&#8221; it does a single point beautifully and simply &#8211; and that one particular factor is make a soft velvety chorus impact with excellent chime tones &#8211; when I activate the MXR Customized Comp pedal in conjunction with the MXR Micro Chorus I can very easily copy the Andy Summers Police sound and a handful of other notable chorus styles &#13<br/><br/>Note:&#13<br/>It works excellent with distortion and with clean compression &#13<br/>I never ever have to bend more than and alter a bunch of NOBS in the dark &#8211; basically control the a single speed NOB with my foot (on the fly very just) &#13<br/><br/>Presently I use these MXR products:&#13<br/>The MXR Customized Comp = I highly suggest this quite subtle very specialist compression pedal (study any review of this pedal you are going to see why)&#13<br/>The MXR Micro Flanger = Effortless, sounds incredible, by no means have to bend above and fiddle with it, does Jet airplane to subtle waves&#13<br/>The MXR Micro Chours = Simple soft sounding with very good chime &#8211; never have to bend more than and fiddle with it &#8211; straightforward foot handle &#13<br/><br/>And the old common (Ive had this given that the 1980&#8242;s) the MXR Phase 45 &#8211; simply the best phase pedal ever produced &#8211; and I have attempted them all</p>
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